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Under the circumstances that have marked the world, we invite you to discover VIRUS, Antoine d'Agata's view of Covid-19 and its social and political resonances. The exhibition will present an installation of 1111 images produced by Antoine d'Agata between March 17 and May 11, 2020 and foreshadows the release on October 29, 2020 of the artist's new Opus edited by Studio Vortex.

“We are only a little stored, organized solar heat, a memory of Sun. A little phosphorus that burns in the meninges of the world. ” Paul Cézanne

Dans les circonstances qui ont marqué le monde ces derniers mois, nous avons souhaité vous faire découvrir VIRUS, le regard d’Antoine d’Agata sur la crise sanitaire provoquée par le Covid-19 et ses résonances sociales et politiques. Une exposition à la Fondation Brownstone à Paris présente une installation de 1111 photographies réalisées par Antoine d’Agata entre le 17 mars et le 11 mai 2020 et préfigure la sortie le 29 octobre 2020 du nouvel Opus de l’artiste édité par Studio Vortex.

Living and working for two months out of the Paris office of the Magnum Photos agency and gallery, he used the thermal technique to document the impregnation of the deserted city existing under confinement: a city plunged into silence, traversed by bodies with stereotypical attitudes, inhabited above all by the homeless who appear - in these images - as the last truly living and resistant bodies, austere and flame-tinged compositions offering an alternative and dystopian vision of the emptying streets.

« This documentary work is dominated by the use of thermal technology because it offers the ability to capture information that photography as we know it cannot. It is not a question of aesthetics but of a technique under development that allows me to generate a visual language that apprehends reality from both an existential and political perspective.

« Ce travail documentaire est dominé par l’utilisation de la technologie thermique car elle offre la capacité de capturer des informations auxquelles la photographie telle que nous la connaissons n’a pas accès. Il n’est pas question d’esthétique mais d’une technique qui me permet de générer un langage visuel qui appréhende la réalité de « la vie nue » dans une perspective à la fois sensorielle, politique et existentielle.

Alors que le coronavirus déchirait le continent et que les populations s’isolaient, nourri de quelques mots d’Henry James cités par Jean-Luc Godard – Nous travaillons dans le noir – nous faisons ce que nous pouvons – nous donnons ce que nous avons. Notre doute est notre passion et notre passion est notre tâche – j’ai traqué la chaleur emmagasinée par les corps, dans la rue d’abord, puis très vite dans les unités de soins continus et de réanimation Covid-19. J’ai produit ces deux derniers mois 13 000 images (6 500 dans les rues de la capitale, 6 500 dans divers hôpitaux) dormant parfois des jours durant au sein même des structures hospitalières, photographiant les interactions entre docteurs, infirmiers, aides-soignants, ambulanciers et patients, les gestuelles et rituels médicaux, de soins, d’hygiène ou de confort. C’est cette ambivalence entre solidarité et contamination, cette inéluctabilité de la mort sociale et de la mort physiologique que j’ai tenté d’appréhender, à travers un langage des sens et de la résistance qui transfigure les corps, l’image thermique faisant surgir des formes, des postures, des figures, des courbes, des zones imperceptibles à l’œil nu.

VIRUS is the new opus of a photographic experience born from my need to take part in a situation of emergency from an intensive position but doomed, in the short term, to account for the symptoms and outcome of an inescapable economic and social crisis. It is through the deciphering of unprecedented power relations resulting from changing economic logics, and with the help of experimental aesthetic strategies, that I wanted to show how bodies resist their capitalist domestication and the integral surveillance of behaviours. The photographic path follows the chronology of the economic events to come, underlining the great sequences of an evolution that could be brutal. Concerned by the psychic and political dimension of the evolution of the pandemic, I continue with the same obstinacy to perfect an intimate atlas. For the existential is never reducible to gestures, but is only amply grasped in a larger act: that of the artist who wants everything, and gives himself the means to gain it. The serial and futuristic character of the bodies domesticated by the daily routine of confinement being accentuated and denounced by the cruelty of the facts that the images record.”

Antoine d’Agata

Antoine d’Agata

VIRUS  / Antoine d’Agata
french edition: 525 copies
english edition: 325 copies
17 x 21,5 cm
832 pages
75 euros

épuisé

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VIRUS – édition française épuisée

PHOTOGRAPHIES :
Antoine d’Agata

TEXTES :
Mehdi BELHAJ KACEM
Mathilde GIRARD
Philippe AZOURY
Léa BISMUTH
Juan BRANCO
Yannick HAENEL
Frédéric NEYRAT

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